Her bias towards the heretics is unmistakeable, but it takes the form of obvious moral judgements and the occasional skewed interpretation rather than distortion of the facts. So the portrait of Raymond VI, count of Toulouse, is hagiographic, while the judgement on Simon de Montfort is only qualified because "the moral responsibility for his acts lies less heavily upon him than it does on those who had the power to bless and absolve them" — parts of Massacre Montségur read like a forensic indictment against the Catholic Church.
Massacre at Montségur includes references to the primary sources and a full bibliography, as well as a chronology and an excellent selection of black and white photographs.
June 1997
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