The sixteen stories in
Vermeer's Milkmaid cover a broad range in
subject, mood and form. In some, violence plays a key role: a bank-robber
in love screws up a heist, or a quiet village is abruptly transformed by
the outbreak of the Spanish Civil War (in "Butterfly's Tongue", adapted
for film along with two other stories in this collection). Others are
less outwardly dramatic: in the title piece, Vermeer's painting makes
the narrator see his mother in a new light. Many of the stories draw
on folk tales or the fantastic, and some verge on the farcical: in
one various household items debate the murder they've just witnessed,
while another is a cartoon-like piece about rival cartoonists sponsored
by rival sausage companies.
The stories are genuinely short — the collection is only one hundred and
twenty pages long — but they pack more in than some novels, and linger
in the memory. Manuel Rivas is deft and precise with his psychological
sketches: no matter how unusual his characters are, they never seem
implausible or out of place. I only bought Vermeer's Milkmaid for
the novelty of a translation from the Galician, and because Harvill is a
reliable publisher, but it is one of the finest short story collections
I have read for a long time.
December 2003
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- Manuel Rivas - In the Wilderness
- more Spanish literature
- more short fiction
- books published by Harvill Press